Chinese Opera Festival Talks

EVENT DESCRIPTION

To promote greater knowledge and understanding of the artistic features of Chinese opera, the Chinese Opera Festival (COF) 2023 will organise a number of free art talks and exhibitions from May to August. These informative and educational events will delve into different theatrical genres, staging formats, repertoire appreciation and stage aesthetics from various perspectives.

Talks on art of Chinese opera

This year’s Chinese Opera Festival will showcase the story of the White Snake in various theatrical genres, and different art groups will feature a number of classic excerpts.

The two sessions of “Talks on the Art of Chinese Opera” will discuss excerpt performances and crossover presentations of theatrical stories, respectively. Both talks will be hosted by Adjunct Professor of the Department of Cultural Studies of Lingnan University Professor Li Siu-leung, with details as follows:

Topic: Chinese Opera Excerpts as Theatre in Practice: What to Perform? How to Enjoy?
Date and time: May 27 (Saturday), 3pm
Content: To discuss the significance of excerpts, as a common staging format, in terms of theatrical performance, and the various perspectives on the appreciation of excerpt performances.

Topic: Crossover Presentations of “The Legend of the White Snake” as Exemplified by Wu Opera, Peking Opera and Sichuan Opera
Date and time: June 3 (Saturday), 3pm
Content: To examine the similarities and differences among the three theatrical genres, as well as their respective aesthetics and cultural meanings through the story of the White Snake.

Talks and demonstration lecture on art of Kunqu opera

“The Peony Pavilion” is a classic play in Kunqu opera that enjoys timeless popularity on the stage of Chinese opera. This year’s COF will again present the three-part full version of “The Peony Pavilion – The Youth Version”. In the three sessions of the “Talks on the Art of Kunqu Opera”, seasoned Kunqu researcher Cheung Lai-chun is invited to examine this famous opera from different angles. Details are listed as follows:

Topic: Classic Arias and Performances of “The Peony Pavilion” That Inject Poetry onto the Theatre Stage
Date and time: May 28 (Sunday), 3pm
Content: Taking several classic excerpts from the play to illustrate how texts are transformed into staging visual imageries with finesse in Kunqu opera.

Topic: Love Blessed by Mortals and the Gods Alike in “The Peony Pavilion”
Date and time: June 4 (Sunday), 3pm
Content: To introduce Du Liniang and several main characters of the play, as well as their importance in the development of the story.

Topic: Theatre Aesthetics as Shown in the Different Stagings of “The Peony Pavilion”
Date and time: June 11 (Sunday), 3pm
Content: To explore the influence of stage aesthetics on Kunqu opera by reviewing several stage versions of the play.

The “Talks on the Art of Chinese Opera” and “Talks on the Art of Kunqu Opera” will be conducted in Cantonese at AC2, 4/F, Administration Building, Hong Kong Cultural Centre. Admission is free with limited seats available on a first-come, first-served basis.

Moreover, the COF will organise a demonstration lecture, “From Scholar to King – on the Acting in the ‘The Peony Pavilion’ and ‘The Prophecies of Taoist Monk Iron Headgear'”, which will be hosted by performer Zhou Xuefeng from the Suzhou Kunqu Opera Theatre of Jiangsu. Zhou will share his performing experiences over the years and demonstrate techniques with other performers and the musicians of the troupe. The lecture (conducted in Putonghua) will be held at 7pm on July 31 (Monday) at the Theatre (Block I, Middle Zone), Jao Tsung-I Academy. Registration details of this talk will be announced in due course.